The Lydian Chromatic Concept of Tonal Organization. George Russell’s book, The Lydian Chromatic Concept of Tonal Organization, first published in , was. Here are some of the most frequently asked questions about the Lydian Chromatic Concept. This page can be read either as one continuous article from . Lydian Chromatic Concept Theory basically asserts that the lydian scale is more [It] implies an evolution to higher levels of tonal organization.

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theory – What is the Lydian Chromatic Concept? – Music: Practice & Theory Stack Exchange

If you could sit down and write stuff like that out Tonal gravity is the aural relationship between a given note and the fundamental of it’s prime-order lydian chromatic parent scale. Jazz music education Jazz books books. The Concept is heard in music all around us. In other words, you have to reorient yourself in order to pursue various degrees of consonance or, more accurately, tonal gravity.

Lydian Chromatic Concept:

Since it’s publication, there have been scores of books on the market which have “borrowed” bits of the Concept’s information, but there is only one original. How is it useful? For example, analysis of compositions by J. Originally, the idea for this kind of playing with the concept of composer George Russell. Wasserman’s primary aim is to maintain the integrity, authenticity and purity of George Russell’s life’s work by dedicating the transmission of its invaluable innovation explicitly as Russell and his wife Alice Norbury Russell intended it to be shared – thereby respecting and honoring his monumental legacy for future generations.

For example, if notes further up the circle of fifths e. When discussing this theory you need to dispense with functional harmony. A tonal gravity field is something not unlike a pitch-class region. The Music of Joe Giardullo: The link that once worked for has been taken down.

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He performed an original solo piano medley arrangement of Billy Strayhorn compositions in person for Maestro Russell as his entrance audition in Boston, and was approved as a full-time student in the Jazz Composition Division due to Russell’s written evaluation endorsement, which declared “applicant accepted: One of the beauties of The Concept is that it is designed for musicians and non-musicians alike.

By clicking “Post Your Answer”, you acknowledge that you have read our updated terms of serviceprivacy policy and cookie policyand that your continued use of the website is subject to these policies. I’ve recently found out about George Russell’s book the Lydian Chromatic Concept of Tonal Organization and I’ve been curious about exactly what the Lydian Chromatic Concept is and how it can be used to compose music.

The word “Lydian” is here derived from one of the classical Greek scale modes. In that column, which is about dead center on the page, we see a series of Roman Numerals which proceed down the column to the bottom of the page.

Students of this work are able to adapt their own musical perspectives orbanization the ideas presented by the Lydian Chromatic Concept of Tonal Organization. At its essence, The Lydian Chromatic Concept of Tonal Organization creates a self-organized and infinite range of possibilities for us to master. To do this requires a willingness to learn that emanates from self-motivation.

This will require you to organziation some basic questions about the meaning behind an organization of musical tones and why you play or write music.

This focal point can help you decipher between the superficial, mechanical associations you may be accustomed to making in your compositions or improvisations and the quality of consciousness that allows many levels of subtlety to come into play. The Concept does not disprove the discoveries and contributions of other musical theories, but rather explains where their truths rest in the context of tonal gravity.


One of the most comprehensive and sensitive reviews ever published on George Russell’s music with primary focus on the ” New York, N. Look at the chart.


The Lydian Chromatic Scale is the most complete expression of the total self-organized tonal gravity field with which all tones relate on the basis of their close to distant magnetism to a Lydian tonic. It took me hours to put the above together.

George Russell stood tall and resolute as a vertical manmeaning he acknowledged, listened to, and gave his undivided attention to a potent transforming magnetic center within. Much more detailed and comprehensive answers to all these questions and the issues they raise are only concdpt available in the book itself, properly presenting the knowledge within the context of each chapter and lesson.

It matters for this reason: He offers customized online private lessons to students around the world via video chat, phone and email. You tell me which way concpet more complex. Tona, focuses on the Lydian mode because it can be built with fifths. Close though the frequencies may be, the 11th partial of the overtone series is almost always understood to be a flattened 4.

The Lydian Chromatic Concept of Tonal Organization

The art and science of tonal gravity Fourth Second printing, corrected, ed. Everything of value in the chart is only revealed when the chromatic scale is named. Volume Two, the completion of the entire work, is currently in development.

Use this book as a map to help you aim for that which extends beyond your customary approach.

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