LUISI INTERVIU PDF
Luisi Myhyv Nua (~??? anos) em Interviu () Nesta cena, Luisi Myhyv tinha ~ ??? anos. Pics. 1. 2. 3. 4. 5. 6. 7. 8. Clips. * A idade da celebridade durante. Luisi Myhyv nua e vídeos sexy! Descubra mais fotos nuas, vídeos e fitas de sexo da Luisi Myhyv no maior catálogo online Luisi Myhyv Nua em Interviu. Interviu cu violonistul Mircea Dumitrescu Brahms Violinkoncert – Leonidas Kavakos – DRSO – Fabio Luisi – Duration: mugge62 51,
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No it is something more — it is the magic! For sure, both situations are difficult and can be scary. It was the magic. My grandmother knows the entire repertoire and never studied music. But at the end of the symphony I knew I could do it, because the soprano was crying. We had succeeded together, in creating something magical. Now I am conducting a lot of opera, and I am Italian and so I have a deep knowledge of the Italian language, and the sound of the language, the history of the language, so I feel good in this repertoire.
I am not very tolerant. I mean the right passion — which is not the same as making big gestures, but is a passion for the job itself, a complete devotion to the intervlu, to what you are doing. Another element is magic; the best conductors in the world are the ones who succeed in creating magic during a performance.
The voice, however, it is the most interesting instrument in the world, it lluisi the most natural instrument, it is the most distinctive, it is our instrument, it is also the instrument of conductors. The third thing is breathing, and by this I mean physically.
The other conductor who I think of as a god is Carlos Kleiber. Bernstein is the Dionysian part, Kleiber is the Apollonian part.
He is another conductor I follow. He reached a level which will be very difficult to reach again, both with the Berlin Philharmonic and at Lucerne. I have a lot of ideas about repertoire and how to open up opera to a wider public. Yes, but they are both very difficult. I will go there, see what materials I lusi to work with and will model my interpretation according to their voices and the way in which they see the music.
Conducting is a very erotic act, and every erotic act needs passion, love, needs to breathe.
Of course, there is also Verdi and Puccini. Alberto Tirola and Fabio Luisi brought me here.
Interviú desnuda a la ganadora de Gran Hermano 14, Susana Molina | Diario Sur
It is very sophisticated. You luixi to believe in yourself, and you must be a leader. I demand precision from myself and the orchestra. There are many different elements involved. Muti remains a great musician, especially in Verdi.
Luisi Myhyv Nua em Interviu < ANCENSORED
It was something magic. When writing, he took into account the vocal possibilities of the singers, so there are no risks for them.
It is difficult to identify an exact moment, but there are two factors in my life which I can see as pivotal. The second is passion, by which I do not mean over-conducting. If a conductor does not take this into consideration, they should work with midi voices.
By returning there, I will close the circle. So it was intervui problem. Symphonic music is fantastic, but it is more technical.
Interview: Sesto Quatrini On His Conducting Style & Career Ambitions
OperaWire managed to catch up with the charismatic conductor for a short interview, which as it happened turned into a long interview, but a very interesting and insightful one. My ambition is to return to the New York Met, where I started. I am not like that. I took something from him, especially how to successfully deliver accompanied recitatives.
Interviú desnuda a la ganadora de Gran Hermano 14, Susana Molina
This is the dream I have for opera in Italy, and if Italy will bet on me, I will be happy. Of course, during rehearsals, I am completely different. In Italy we grow up with this music, we have it in our blood.
When you breathing with the singer, when the musical phrase of a quartet or trio works, it so satisfying. Some of my colleagues seem to prefer working with voices that are like computers, but it is not for me. Theses are my general ambitions, but my dream is to become a music director in my own country, in Italy, because opera in italy needs a change.