LINDA HUTCHEON A THEORY OF PARODY PDF
Linda Hutcheon, A Theory of Parody: The Teachings of Twintieth-Century Art Forms. New York et Londres, Methuen, , p.. An article from journal Études. “A Theory of Parody: The Teachings of Twentieth-Century Art Forms”: Linda of A Poetics of Postmodernism: History, Theory, Fiction by Linda Hutcheon. According to LINDA HUTCHEON, one of the main features that distinguishes postmodernism from modernism is the fact the it “takes the form of self-conscious, .
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Review of A Poetics of Postmodernism: Parody is repetition with critical distance, and must be distinguished from satire parody relies on reference to an earlier text or text, and satire relies on reference to reality and from irony an Samuel Llano rated it it was amazing Oct 08, Goodreads helps you keep track of books you want to read. Anne Marie rated it liked it Mar 04, She shows how parody, through ironic playing gheory multiple conventions, combines creative expression with critical commentary.
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Science Logic and Mathematics. Other editions – View all A Theory of Parody: Linda Hutcheon – – Common Knowledge 9 2: In this major study of a flexible and multifaceted mode of expression, Linda Hutcheon looks at works of modern literature, visual s, music, film, theater, and architecture to arrive at a comprehensive assessment of what parody is and what it does.
A Theory of Parody: The Teachings of Twentieth-Century Art Forms
Linda Hutcheon – – In Charles Jencks ed. Sviatek rated it it was ok Nov 30, Aesthetics categorize this paper.
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A Theory of Parody: The Teachings of Twentieth-century Art Forms – Linda Hutcheon – Google Books
A mostly readable volume, despite the time spent worrying over modern theoretical quibbles. Its productive-creative approach to tradition results in a modern recoding that establishes difference at the heart of similarity.
In a new introduction, Hutcheon discusses why parody continues to fascinate her and why it is commonly viewed as suspect–for being either too ideologically shifty or too much of a threat to the ownership of intellectual and creative property.
Hutcheon identifies parody as one of the major forms of modern self-reflexivity, one that marks the intersection of invention and critique and offers an important mode of coming to terms with the texts and discourses of the past.
A Theory of Parody: The Teachings of Twentieth-Century Art Forms by Linda Hutcheon
The move to distinguish parody from satire is the volume’s best argument and naturally Hutcheon takes a fair amount of time over it. Hutcheon identifies parody as one of the major forms of modern self-reflexivity, one that marks the intersection of invention and critique and offers an important mode of coming to terms with the texts and discourses of the past.
This book is more of a formalist work than I’m used to dealing with, but it was very useful in terms of my thinking about parody. To ask other readers questions about A Theory of Parodyplease sign theor. History of Western Philosophy. Kajsa Byne rated it liked it Nov 03, Parla rated it it was amazing May 30, Though she spends quite a bit of time in her introduction and conclusion justifying her theoretical situation not pxrody, not decon, not reader response, not anythingand ends up with a product that, I think, has a lot to do with formalism anyway, this is a very useful book that explains a tehory definition of parody: Reading it for my diss, and it provided a sensible overview and and some criteria that will be very helpful as I prepare to write my “parody” chapter.