The pre-eminent classical piano music to have emerged over the last half century , Ligeti’s Etudes have received numerous recordings – both in part and as a. In Ligeti’s own description of the Piano Etudes, he says, they are “Etudes in a compositional and pianistic sense”1 that “behave like growing organisms.”2 Upon. “Désordre” (), the first etude in the first book of piano etudes by György Ligeti . (–). After explaining how Gestalt principles can be applied to the.

Author: Tomi Shagami
Country: Myanmar
Language: English (Spanish)
Genre: Spiritual
Published (Last): 23 October 2004
Pages: 51
PDF File Size: 14.48 Mb
ePub File Size: 15.25 Mb
ISBN: 323-2-31155-168-1
Downloads: 93615
Price: Free* [*Free Regsitration Required]
Uploader: Fenrijinn

Metadata Show full item record. Chromatic scales become chromatic chords, creating a theme from the ligegi outer voices, while the inner voices maintain the chromatic motion. The sixteenth-note motion resembles that of etude No. Their directness of communication, innovative rhythmic texture, and virtuosic pianism place them among the most attractive and important works of contemporary piano literature. As the piece continues, the range is often 2 octaves only to lead eventually to repeated notes, in groups of either three or eudes ex.

There are accents and syncopations that create a jazzy feeling and the harmonies certainly make reference to impressionism. During the s he was also introduced to electronic studio music7. The main feature of this etude is note repetition. A subito ppp emerges from the mayhem and leads back to the original eighth note motion. An Introduction to the early works of Gyorgy Ligeti.

Ligeti Piano Etudes, Bks 1 and 2

Ligeti, Etude No2, mm. A transition occurs, during which the sixteenth note movement ceases and gives its place to quarter notes and long syncopated rhythms.

The two hands switch functions for pano brief while — the chords switch ilgeti the left hand, while the right hand maintains the eighth note movement — then both hands are joined again in frantic ascending sequences of chords leading to the end of the piece. This creates a rhythmic atmosphere strongly resembling South American rhythms — strong beats and the motif. Author Tsong, Mayron Kacy. The writing becomes a little denser and Ligeti again applies parallel fifths and fourths mainly in the piano part, but also in orchestral parts ex.


Schott, After piaho end of the theme, chromatic motion is resumed in the left hand, which is directed to the lowest registers of the keyboard ex. Ligeti wished to go a step further in the composition of pieces that fall into popular categories, such as the etude and the piano concerto.

Ligeti was first introduced etudez Julia and Mandelbrot sets inToop notes. Ligeti considered Bartok to be one of the most important studes and followed his lead in many ways.

Gradually, more chromatic layers are added, making the harmonies even more complex ex. Above each segment, the different division of twelve eighth notes is shown.

This shows again his reference to jazz music; only this time the pace is much slower than that in the previous pieces. The tempo is very flexible, with various markings such as rallentando, allargando, accelerando and more. Example 27a shows the piano theme that is introduced in the beginning of the fifth movement, and example 27b shows a similar theme presented later on in the movement.

Although their approaches are different, they all shared the same goal: II, 58 and My ligrti question is whether or not Ligeti would have written such extremities had he been able to perform them.

Études (Ligeti) – Wikipedia

Toop, Gyorgy Ligeti, There are very sudden differences in nuances — subito p and f and the etude ends quietly in pppp. A really odd occurrence is that the right hand bears an Eb and a Db as key signature, while the left hand is marked with Bb, Ab and Gb.

However, in this etude a sostenuto pedal is applied for several etuudes at a time ex.


pian Once more, Ligeti deals with fifths, as he did in his second etude — Chordes vides. Repeated notes, triplets, sixteenth notes, chromatic scales, chords and highly irregular rhythmic patterns occur. Ligsti orchestration in general is fairly sparse, with the exception of the percussion section, which seems to be somewhat antagonistic of the piano score ex. He lived and composed during decades that were crucial for the formation of various new tendencies in music.

With ten fingers, the pianist plays up to seven different layers, each with its own tempo, dynamics and tone colour. Instead, quarter notes and longer values are applied.

Ligeti: Etudes pour piano – Wergo: WER – CD or download | Presto Classical

Overall, this work is very extreme, both technically and acoustically. It was with the piano collection Musica ricercata that the Hungarian composer laid the foundations of an individual musical language in the early s. As in the previous movements, motivic imitations occur among the different instruments, creating a harmonic mayhem.

Eulenburg Books, As one might expect, his etudes are quite different than those of Chopin, Liszt and the rest of the great etude composers of the past few centuries Ligeti wtudes one of these composers and one of his main concerns throughout his compositional career was to find the ultimate freedom in music expression. Trois etudes de concert. The ligeeti book of the Etudes pour piano was composed ineighteen years since he last composed for the piano.

His etudes are a synthesis of the various musical, rhythmical and compositional ideas to which he has been exposed throughout his compositional career, as I will discuss.

Related Posts