KAPUSTIN ETUDE OP.40 PDF

Abstract (summary): Nicholai Kapustin (), a Ukrainian composer whose music amalgamates the Western classical tradition with jazz. Nicholai Kapustin’s Eight Concert Etudes, Op. Reflections on Analysis, Practice, and Performance by. Akane Megumi Okamoto. A thesis submitted in. The music of Nikolai Kapustin has made a minor flurry in the classical music His Eight Etudes, Op, partake of the 19th-century tradition of the concert-etude .

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Elegy for cello and piano Op. Fantasia for jazz quartet Op. String Quartet Op. Violin Concerto Op. Six Little Preludes for piano solo Op.

Twenty-Four Preludes for piano Op. Fantasia on three children’s songs for orchestra Op.

Hyperion Records

Sonatina for viola and piano Op. Concert for two pianos and percussion Op. Humoresque for piano Op.

Freeway for piano solo Op. Piece for two pianos and orchestra Op.

Hyperion offers both Etdue, and downloads in a number of formats. Three Etudes for piano No. Trio for flute, cello and piano Op. Etude Courte mais Transcendente pour Piano Op.

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The recording is characteristic of Hyperion’s piano sound at its considerable best. His compositional brilliance is a profound addition to piano literature and deserves to be fully recognized and preserved for the future.

Minuet for big-band Op. Nobody is perfect for piano solo Op. Recommended Citation Wang, Etudd. Kapustin’s piano etudes, in particular, are a considerable contribution to standard etude repertoire that remains understudied.

Three Pieces for orchestra Op. Nocturne for piano and orchestra Op. All in all, one of the most enjoyable piano discs I have heard in ages. Skip to main content Scholar Commons. Suite In the Old Ettude for piano Op.

Nikolaj Girshevich Kapustin – Concert Etudes (8) Op. 40 Piano

Something else for Piano solo Op. Sonata for violin and piano Op.

Divertissement for two flutes, cello and piano Op. Dialogue for solo piano Op. Wandering for piano solo Op. Variations for piano Op. Kapustin’s etudes are innovative and noteworthy in that his fusion of classical form with modern idioms of jazz and rock, combined with the technical demands expected of a standard study, have not been kxpustin characteristic of the genre. Piece for trumpet and orchestra Etuxe. Paraphrase on the theme of Paul Dvoirin for piano Op.

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Duet for alto-saxophone and cello Op. The lack of thorough research and related literature on his works, combined with the difficulty of obtaining his compositions in the West, make this study relevant and kaapustin pertinent start to shed more light egude the composer and make his works more approachable for contemporary pianists and jazz connoisseurs alike. With the positive reception of Kapustin’s music of late, public awareness of his eclectic and original compositional style—the musical marriage of classical formal structures and jazz-based melodic and rhythmic idioms within the Russian pianistic tradition—has greatly increased.

List of compositions by Nikolai Kapustin

No 8 Prestissimo is similar in style and mood to Nos 1 and 3, but more compact. Three Impromptus for piano Op. March for orchestra Op. Variations on “Sweet Georgia Brown” for viola, alto-saxophone, piano and bass Op.

Day-Break “Sunrise” for piano Op.

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