HAYAVADANA DRAMA PDF
Girish Karnad’s play Hayavadana is considered one of the landmark works in the annals of Indian theatre. The play brings about the interplay of. Review of Hayavadana (meaning horse-face), a play written by Girish Karnad – a classical love triangle between Devadatta, Kapila, and their. Get an answer for ‘Describe Padmini (a character from Girish Karnad’s play Hayavadana) as unconventional.’ and find homework help for other Literature.
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Hayavadana meaning horse-facea play written by Girish Karnad, is the story of three protagonists Devadatta, Kapila, and their lady-love Padmini.
Hayavadana Summary | Girish Karnad | English Summary
Benaka, one of the oldest theatre groups in Karnataka founded by theatre veteran and parallel-cinema pioneer B. Karanthstaged the play at Rangashankara. The star cast was led by noted film maker T. Nagabharana as the narrator, Mico Chandru as Devadatta, Poornachandra Tejaswi as Kapila, and Vidya Venkataram all familiar faces on television and theater circuit.
Not surprisingly, Rangashankara was jam-packed.
Part 1 — Introduction: Hayavadana starts with a “Naandi”: In Hayavadanathe entire troupe led by the narrator seeks blessings for the politicians instead. As the Naandi ends, Hayavadana, the horse-faced human being, approaches the narrator and asks for a solution to his curse of being horse-faced.
The narrator sees him off by suggesting that he seek dfama blessings of a goddess in Chitrakoota mountain, and introduces the play.
Part 2 — Main act: The play is set in Dharmapuri, home of two inseparable friends Devadatta and Kapila. Devadatta, from a scholarly Brahmin family, is a gifted poet and Kapila, son of a blacksmith, is brawny and illiterate.
Both friends fall in love with Padmini, a fun-loving, happy-go-lucky girl from the same town. Circumstances force Padmini to marry Devadatta and what happens next forms the main story.
Part 3 — Closure: Hayavadana, who has dramz transformed into a horse now, returns to the crama. The narrator ends the play thanking the audience. Benaka stuck to the original script throughout the play, with minor modifications to the introduction and closure to bring in humour. Right from the Naandi to the final thank you note, the dialect of the source is retained.
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Several factors make this play stand out. First, the time-honoured way of a Naandi leading into the play and the return of the narrator to close the play. It reminded me of my high-school days when we studied plays structured in drsma similar fashion Abhignana Shakuntalaif I remember right.
The lead actors display complex emotions such as confusion, indecisiveness, and pretense effortlessly, without any exaggeration. Their body language in the scenes where they are questioned about the genuineness of their behaviour by dtama character, or when they doubt the appropriateness of their own behaviour in short soliloquies, were perfect examples of their talent.
Another factor I was impressed with is the performance of the supporting cast. Characters such as Hayavadana, Goddess Kali, and the talking dolls have only about five minutes of stage time, however their performance lingered in my mind for quite some time after I walked out of the auditorium. Mail will not hayavxdana published required.
The play has a three-part structure. Nothing Like Lear Review: Five Point Someone [Evam] Review: Boy With A Suitcase.
Article by Sreekanth Sreekanth is a Bangalore-based theatre buff who loves to watch any play with a tinge of humour in it.
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