FREDERIC ZIGANTE VILLA LOBOS PDF

Listen to Villa-Lobos: Complete Solo Guitar Works by Frédéric Zigante on Deezer . With music streaming on Deezer you can discover more than. View credits, reviews, tracks and shop for the CD release of Villa-Lobos: Complete Guitar Music on Discogs. Find album reviews, stream songs, credits and award information for Villa-Lobos: Complete Guitar Music [ Recording] – Frédéric Zigante on AllMusic –

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You need to see the whole picture fredeeric – after all, that is what Frederic Zigante is all about. During the next two months I will be preparing a new repertory for my CD recordings and I will be working on my critical edition of Villa-Lobos’ Etudes. What really makes the difference is the music that is fredegic for it. My father and my brother Manuel. But I know that I shall certainly not: I haven’t noticed any crisis. With a clear mind, he recognises current cross-over tendencies and hip genre-bending see his answers to our Festival-question!

How would you describe the relationship with your instrument? And yet, he is by no means an anachronism.

Villa-Lobos: Complete Guitar Music

This is what some performers do sometimes, they even cut off some parts of the works! An interpreter has a great power in his hands because sigante him the work has no life and can’t be heard. False, the only thing about which people need to be educated is listening with curiosity: In essence, his tendency for established values and the ongoing fascination for the infinite possibilities within the purity of a piece is not a sign of conservatism – but rather of class.

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I live between two beautiful Italian towns: This is the way to discover beauty in all music, not only classical. Interpretation is a task: Freeeric one that mediates between the written text and vills auditors. How do you balance the need to to put your personal emotions into the music you play and the intentions of the composer?

15 Questions to Frederic Zigante

If yes, how good were you at it? But his power can be negative and he can destroy music, modify it or misinterpret it. What really matters is to transmit emotions and feeling.

Complete editions are Frederic Zigante’s specialty: I would probably be a medical doctor or a politician. Someone who takes care of other people’s problems.

An interpreter’s task is to give life to emotions that are latent in the musical text not only to play them! What constitutes a good live performance in your opinion? If a perfomer has nothing to say and simply plays the music, ziigante should stay home. What or who was your biggest influence as an artist? I am a little bit annoyed by crossovers but I do realize that it is just a fashion that will pass without too many damages.

Guitar » Classical Guitar, Villa-Lobos (composer) (page 1 of 3) | Presto Sheet Music

This is how an interpreter and a composer can cope to “travel” together without any conflict. You are given the position of artistic director of a concert hall.

What would be on your program for this season? Just imagine what would happen if someone went to a museum and decided to change the colors on a painting: A good live performance requires good technical standards and acceptable contents for the audience.

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Is there a crisis? The latter implies that Zigante eschews or may we even say “despises” the modern-day tendency to submit a Classical works to the arbitrariness of subjectivity, to change it, alter it or even leave out certain passages for more easy digestability.

About Our aim The team History. People need to be educated about classical music, before they can really appreciate it. The hardest part about being a musician is to often be alone and the best is to get emotion during a performance. After this reserach I bring out my personal emotions on the condition that they do not affect the composer’s idea.

Have you ever tried playing a different instrument? Community Links Countries Recording Services. What do you tell them? There are still so many works zigannte be discovered and recorded even for instruments like the guitar.

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I play both baroque and classic guitar and I consider them two different instruments. It is necessary to know exactly what the composer intended but this isn’t always possible zigaante the only basis of the written text. Behind this desire for integrity hides no pathologically prolific mind, but a man who searches for profundity and who wants to use the power of interpretation to the good.

First I need a contract then I shall begin thinking about it!

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