Home · Sarah Kane – El Amor de Fedra. Sarah Kane – El Amor de Fedra. January 7, | Author: Adrian Grnd | Category: N/A. DOWNLOAD PDF – KB. When Sarah Kane’s first play, Blasted, was staged at the Royal Court . Esta versão da tragédia de Fedra e Hipólito, além de mais moderna é muito cruel e. Download Citation on ResearchGate | Emociones y antiemociones en la fedra de unamuno y en phaedra’s love de sarah kane: Un análisis mitocritico desde las.

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I had to ponder on this one a while. It centres more on Hippolytus the original focuses more on Phaedrawho is rendered lazy and cynical by his upbringing as the son of King Theseus. The author of this damnation of Seneca was the German early Romantic, August Wilhelm Schlegel, in his series of lectures on dramatic art. Se tu morissi sarebbe come se le mie ossa venissero rimosse. You have to be in an extremely dark place to be able to do this and it is not something to aspire.

Complete Plays by Sarah Kane

I just woke up from a nightmare, something I very rarely have, even after scary movies. Remember me on this computer.

All 5 of Kane’s plays are compiled in this gut-punch of a collection. It’s dark, viscera It’s so difficult to talk about Kane, even though I’ve been studying her oeuvre this entire semester, and I actually had a 4-hour exam on this topic today. It triggers trauma, but it also suggests a fragile chance of redemption for the characters and possibility for a better future. This play is depression and psychosis come to life. It’s brutal, and it really isn’t suitable for most people, but fans of transgressive fiction will definitely find something so lane that they’ll come back a year later to write a review about it!

I think Blasted will haunt me for the rest of my life. Just a moment while we sign you in to your Goodreads account.


Strophe, unbeknownst to Theseus, has done the same. Complete Plays by Sarah Kane. It is later revealed that Strophe had sex with Theseus on the night Theseus and Jane were married. Nonetheless, the last two plays are wonderful because they consist of very strong emotion and it’s probably recognizable to everyone to some degree although I hope for most to a lesser extend.

FEDRA. Un dialogo entre Eurípides y Sarah Kane

All plays are dark, that’s not what makes them good, it’s just that they’re painfully honest. This thesis examines how mental illness has been represented in British theatre from c. Lembrou-me um pouco a mistura do filme Trainspotting e de Salo, de Pasolini, juntou drogas e sadismo. It’s about the need for human connection, but also about the sadistic push of war on an individual level.

Nonetheless, this play was the one I felt most to be shocking for the effect and had the least connection with. E questi testi sono belli da far paura. Log In Sign Up. University of Manchester Press, Help Center Find new research papers in: The first period would include Blasted, Phaedras love, Cleansed and the script for the short-film Sk This is a book that is certainly not for everyone. I’m not sure why this is the play that gripped me the most, but it is. Explores how gender violence is fedta on the stage through an exploration of Sarah Kane’s work.

El eco de su voz. Then there is the second period, containing the plays Crave and 4.

Sarah Kane

My god, the most disturbing plays I’ve ever read. Skip to main content.

Refresh and try again. Jan 27, Thor rated it really liked it Shelves: View all 4 comments. Volubile, cinico, amaro, grasso, decadente, sfatto. Literary Worlds and Deleuze: Her plays are dirty and dangerous, full of social ostracism an It is hard for me to consider Kane’s work outside of its theatrical contexts as my first encounter with her was through Warlikowski’s production of “Cleansed” on stage.


Metti che il cielo infuri di sabbia e di notte. Ads help cover our server costs. It is particularly concerned with the roles played by space and embodiment in these representations, and what emerges as Credetemi, fa molto male. La poesia di Sarah Kane.

Sarah Kane – El Amor de Fedra – Free Download PDF

Kane killed herself with a shoelace. They are characterised by a poetic intensity, pared-down language, exploration of theatrical form, and, in her earlier work, the use of stylized violent stage action.

In fact a symbolic treatment of the real in which the inability to represent the Thing according to the Lacanian definition becomes the same condition of a possible representation. When Sarah Kane’s first play, Blastedwas staged at the Royal Court Theatre in it was hailed both as a “masterpiece” and as a “disgusting piece of filth” Daily Mail. It is particularly concerned with the roles played by space and embodiment in these representations, and what emerges as bodies interact in space.

It’s about an unpleasant journalist, his presumably ex-girlfriend and later a troubled but sadistic soldier in a time of war. She was vicious, unsentimental, lashing BDSM poetry onto the backs of her pages and giggling while unsuspecting audiences everywhere ran from the theaters in tears. Giovanna Mezzogiorno in una memorabile interpretazione di 4: Nov 13, Tatiana rated it it was amazing Recommended to Tatiana by: Art does not omit nor does it fill the need, or absence of this need, though it could outline and border it.

It’s dark and extreme. But again, it’s honest, and that’s more shocking.

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