Composed in , Edgard Varèse’s Ionisation is the first piece of Western classical music to be scored for an ensemble comprised solely of. This work is likely not in the public domain in the US (due to first publication with the required notice after , plus renewal or “restoration” under the. Edgard Varèse. Ionisation, for 13 percussionists. Composition Information ↓; Description ↓; Appears On ↓. Share on. facebook · twitter · tumblr.

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Ionisation continues to be an important cornerstone in the world of percussion but also in a broader musical sense. You must be logged in to post a comment.

While the piano, chimes, and glockenspiel are all pitched instruments, they are not used in an expected way. Ionisatikn entrance of the anvils marks a vqrese, the return of structure one. Ionisation is a musical cornerstone in the development of composing for percussion instruments. Measure 13 marks a return to structure one, followed immediately by a return to a texture reminiscent of structure two in measure 18 edgadd an even more obvious return of structure two in measure This page was last edited on 24 Februaryat Frank Zappa often claimed that Ionisation inspired him to pursue a career in music.

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Views Read Edit View history. While Ionisation cannot be analyzed by the means of a traditional form structure, several timbral and textural motives occur throughout the piece, either alone or in combination with other motives. Having moved to America at the age of 32, the French-born composer was deeply affected by the aural experience of farese in urban New York.

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Ionisation (Varèse) – Wikipedia

The Gramophone Shop, Inc. Nicolas Slonimsky conducted it at Carnegie Hall, on March 6, egdard, and the composer later dedicated the work to him.

You are commenting using your WordPress. The premiere of this ionidation sparked debate among music critics about the merit of the work and whether music without any discernible pitches could be considered music at all. This music is at once expansive and intimate, ugly and irresistibly beautiful: Each succession of any five chords struck by these instruments contains all twelve pitches of the chromatic collection, thus eliminating their function as melodic or harmonic.

Here lie two reasons for the debate: April 26, at 9: Avant-gardeThomas May. Retrieved from ” https: Occasional relief is found in rhythmic unisons, that bind the separate blocks of sound into a single, propulsive rush, but there are not many. In this structure, the general range of frequencies produced by the instruments played are fairly low, making use of several bass drums, sirens at a low dynamic, and a collection of tam-tams. Les Percussions de Strasbourg 50th Anniversary.


Structure three is a monophonic texture that incorporates most of the ensemble. Please enable JavaScript in your browser to use the site fully. All of the structures seem to make shortened entrances throughout this ionisxtion until the coda at measure Hyperprism offor example, provoked a riot at its premiere. The form of the work is the consequence of this reaction.

Ionisation, for 13 percussionists

September 30, at 9: Composer, Sound Sculptor, Visionaryed. Following a brief interruption from 0: Structure two is found in the pitched percussion parts as well as the player one and two parts. The next section begins at 2: The World’s Encyclopaedia of Recorded Music. Create a free website or blog at WordPress.

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